Great Britain, Charles II, Crown 1662, Rose, aVF

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In stock


Obverse: First laureate and draped bust of King Charles II right, legend around, rose below.

Lettering (Latin): CAROLVS II·DEI·GRA

Translation: Charles II by the Grace of God

Engraver: John Roettier

Art Deco line

Reverse: Crowned cruciform shields around central Garter star with interlinked C’s in angles, divided date above, legend around.

Lettering (Latin): MAG· BR·FRA· ET·HIB· REX·16 62·

Translation: King of Great Britain, France and Ireland

Engraver: John Roettier

Art Deco line

Edge (text in Latin): Regnal year in Latin


The pictures provided are of the actual coin for sale.

Guaranteed genuine.


Secure


 269

In stock

Country
Ruler Charles II (1660-85)
Face Value Crown
Year of issue 1662
Metal Silver
Fineness 925
Catalogue # KM# 417.2; SPINK 3350; ESC 340
Weight, g. 28,45
Diameter, mm. 40,11
Our code A461
Die Axis ↑↓
Additional info -

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INSURANCE:

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22 August 2025:

Important Notice for USA Customers
Please note that, due to the new U.S. customs tariffs, Post of Slovenia has temporarily suspended shipments to the United States. Unfortunately, this means we are unable to send orders to the USA at this time.

We will resume shipping to the USA as soon as the service becomes available again. Thank you for your understanding and patience.

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History

In 1660, England exhaled.

After eleven years of Civil War, regicide, and the grey austerity of Oliver Cromwell’s Commonwealth – theatres shuttered, Christmas banned, pleasure itself regarded with official suspicion – the monarchy was restored. Charles II rode into London on his thirtieth birthday to crowds that wept with relief. The Merry Monarch, they would call him: witty, pleasure-loving, politically nimble, and possessed of a survival instinct forged through years of exile, humiliation, and near-capture after the Battle of Worcester. He had slept in an oak tree to evade Roundhead soldiers. He had wandered Europe as a penniless, stateless prince for nearly a decade. Now he was king, and England wanted very badly to feel like itself again.

The Crown of 1662 is not merely a coin from this period – it is one of the most significant objects the English Mint ever produced. It was the first denomination struck using the revolutionary new milling machinery introduced by the French engineer Peter Blondeau, replacing the centuries-old method of hand-hammering coins one by one. The difference was profound. The new machine-struck coins were perfectly round, uniform in weight, and engraved with a precision that hand-striking could never achieve. Most importantly, their milled edges – and the raised Latin inscription DECVS ET TVTAMEN, meaning “an ornament and a safeguard” – made clipping and counterfeiting dramatically harder. It was, in every sense, the birth of the modern English coin.

The portrait on the obverse was the work of John Roettier, a Flemish engraver who had befriended Charles during his years of exile and been promised a position at the Mint upon the Restoration. The laureate bust he produced was elegant and authoritative – a king who looked, for the first time in over a decade, like a king. The silver that fed the Mint that year had an unusual origin: Charles had sold the town of Dunkirk back to France for five million French livres, and the resulting flood of silver écus – transported to the Tower in 300 chests – was converted directly into the first milled crowns.

Even the coin’s edge carries a quiet drama. The regnal year inscribed there counts not from the Restoration of 1660, but from the execution of Charles I in 1649 – as if the Commonwealth had never happened, as if the crown had simply passed in the normal way, father to son, without the scaffold and the bloodshed in between.

It was, perhaps, the most eloquent fiction in the history of English coinage.