| Country | Great Britain |
|---|---|
| Ruler | Charles II (1660-85) |
| Face Value | Crown |
| Year of issue | 1662 |
| Metal | Silver |
| Fineness | 925 |
| Catalogue # | KM# 417.2; SPINK 3350; ESC 340 |
| Weight, g. | 28,45 |
| Diameter, mm. | 40,11 |
| Our code | A461 |
| Die Axis | ↑↓ |
| Additional info | - |
Charles II (1660-85)
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Great Britain, Charles II, Crown 1662, Rose, aVF
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Authenticity Guaranteed
Actual Coin Pictured
Ships within 1 business day
Worldwide Shipping
Obverse: First laureate and draped bust of King Charles II right, legend around, rose below.
Legend (Latin): CAROLVS II·DEI·GRA
Translation: Charles II by the Grace of God
Engraver: John Roettier
Reverse: Crowned cruciform shields around central Garter star with interlinked C’s in angles, divided date above, legend around.
Legend (Latin): MAG· BR·FRA· ET·HIB· REX·16 62·
Translation: King of Great Britain, France and Ireland
Engraver: John Roettier
Edge (text in Latin): Regnal year in Latin
The pictures provided are of the actual coin for sale.Guaranteed genuine.
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*Except US, shipped via DHL Express — see Postage tab
In stock
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22 August 2025 (updated 21 July 2026):
Important Notice for USA Customers
Please note that, due to the new U.S. customs tariffs, the Post of Slovenia has temporarily suspended shipments to the United States. Unfortunately, this means we are unable to send orders to the USA at this time.
We will resume shipping to the USA as soon as the service becomes available again. Thank you for your understanding and patience.
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History
In 1660, England exhaled.
After eleven years of Civil War, regicide, and the grey austerity of Oliver Cromwell’s Commonwealth – theatres shuttered, Christmas banned, pleasure itself regarded with official suspicion – the monarchy was restored. Charles II rode into London on his thirtieth birthday to crowds that wept with relief. The Merry Monarch, they would call him: witty, pleasure-loving, politically nimble, and possessed of a survival instinct forged through years of exile, humiliation, and near-capture after the Battle of Worcester. He had slept in an oak tree to evade Roundhead soldiers. He had wandered Europe as a penniless, stateless prince for nearly a decade. Now he was king, and England wanted very badly to feel like itself again.
The Crown of 1662 is not merely a coin from this period – it is one of the most significant objects the English Mint ever produced. It was the first denomination struck using the revolutionary new milling machinery introduced by the French engineer Peter Blondeau, replacing the centuries-old method of hand-hammering coins one by one. The difference was profound. The new machine-struck coins were perfectly round, uniform in weight, and engraved with a precision that hand-striking could never achieve. Most importantly, their milled edges – and the raised Latin inscription DECVS ET TVTAMEN, meaning “an ornament and a safeguard” – made clipping and counterfeiting dramatically harder. It was, in every sense, the birth of the modern English coin.
The portrait on the obverse was the work of John Roettier, a Flemish engraver who had befriended Charles during his years of exile and been promised a position at the Mint upon the Restoration. The laureate bust he produced was elegant and authoritative – a king who looked, for the first time in over a decade, like a king. The silver that fed the Mint that year had an unusual origin: Charles had sold the town of Dunkirk back to France for five million French livres, and the resulting flood of silver écus – transported to the Tower in 300 chests – was converted directly into the first milled crowns.
Even the coin’s edge carries a quiet drama. The regnal year inscribed there counts not from the Restoration of 1660, but from the execution of Charles I in 1649 – as if the Commonwealth had never happened, as if the crown had simply passed in the normal way, father to son, without the scaffold and the bloodshed in between.
It was, perhaps, the most eloquent fiction in the history of English coinage.
Coin condition (grade) is described using the following scale, based on internationally recognised numismatic grading standards. Where a grade is separated by a slash (e.g. VF/XF), the obverse and reverse differ in condition – VF obverse, XF reverse in this example.
| Grade | Full name | Description |
|---|---|---|
| F | Fine | Noticeable, moderate to considerable wear across the design; major details, lettering and date remain clearly legible |
| F+ | Choice Fine | Slightly better than Fine |
| F‑VF | Fine to Very Fine | Between Fine and Very Fine |
| aVF | About Very Fine | Slightly below Very Fine |
| VF | Very Fine | Moderate wear on the higher points; major design elements and lettering remain sharp and well-defined |
| VF+ | Choice Very Fine | Slightly better than Very Fine |
| VF‑XF | Very Fine to Extremely Fine | Between Very Fine and Extremely Fine |
| aXF | About Extremely Fine | Slightly below Extremely Fine |
| XF | Extremely Fine | Light wear confined to the highest points of the design; most original detail and some mint lustre remain |
| XF+ | Choice Extremely Fine | Slightly better than Extremely Fine |
| XF‑UNC | Extremely Fine to Uncirculated | Between Extremely Fine and Uncirculated |
| aUNC | About Uncirculated | Slightly below Uncirculated |
| UNC | Uncirculated | Shows no evidence of circulation wear; retains its original mint lustre, which may appear naturally subdued with age |
| Proof | Proof | Struck specifically for collectors from specially prepared, polished dies on polished planchets, giving sharp detail and mirror-like fields. Refers to how the coin was made, not to its state of preservation |
| Prooflike (PL) | Prooflike | A coin from the ordinary circulation production that happens to show mirror-like fields, usually from early strikes with fresh dies – it looks similar to a Proof but was not specially struck for collectors |
Grading is inherently somewhat subjective. If you would like additional photos or have any question about a coin’s condition before ordering, please contact us – we’re happy to help.
